There is nothing new in sharing artistic work. We once copied tapes and films. Those of us who still read borrow books from one another. The P2P impulse, at first sight, might appear to be a communitarian one offering an appealing resistance to the dogma of individualism. But it leaves us with a problem.
How are the people who live by their imagination to make money in a time of romanticised theft? Is it not the moment to bring to an end the Manichean conversation about Corporate Bad Guys versus Online Good Guys? Surely the ones we should be worrying about protecting are not those who receive, promote or sell, but those who make.
Garan Holcomb
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